Almanac Cricket: René Magritte and Jasprit and the young pup in the wake of the BGT

It’s been a big month. The Adelaide Test and all the attendant periphery, family Christmas followed by a ‘cultural’ tour to Sydney for the New Year Test, exhibitions at the Museum and Art Gallery and an important celebration with family and friends.

I am no expert in matters of visual art or history but it is always good to learn more. The Machu Picchu (Peru), Rene Magritte and Cao Fei (China) exhibitions were spectacular and all worthy of separate reviews.

However I will confine this mainly to the cricket – and Magritte.

“René and Georgette Magritte with their dog after the war” is a song by Paul Simon.
The surreal lyrics invoke images of the artist René and his wife Georgette and pay homage to doo-wop groups such as the Moonglows, the Orioles and the Five Satins, groups that are obvious favorites of Simon.

The song is re-titled and re-imaged here as:
“René Magritte and Jasprit and the young pup in the wake of the BGT”.

Surrealism: The challenge of reality by the depiction of irrational ideas filled with surprising features.

Artworks by the surrealist René Magritte are at present featured at the Art Gallery of New South Wales. His classic work The Treachery of Images or “Ceci n’est pas une pipe” (This is not a pipe) is on display.

 

 

Image: Wikipedia

It is not a pipe. It is in fact an image of a pipe.

The bowling arts of the Indian surrealist Jasprit Bumrah have been on display across the land since November. His classic work, The Treachery of Images II or “this is not an inswinger”.

This is not an inswinger. But it may be.

When he dismissed Marnus Labuschagne in the first innings of the Sydney Test, not far from the Art Gallery of NSW, Bumrah had taken 32 wickets (46%) of the 69 taken by the Indian team in the current series.

The entry of young pup Sam Konstas onto the Test scene was also surreal with ramp shots and smashing slogs over the infield. In the opening overs.
Off Bumrah, no less.

Konstas obviously has a keen eye but there has been little of the “exemplary technique and text book cover drives” that marked his triple figure success innings in Sheffield Shield matches earlier in the year.

That ABC rugby commentator and lately Boof’s best mate, the one who yells a lot when describing cricket on the radio, has described Konstas’s batting as  prodigious (which it was not) and audacious (which it probably was).

And the young pup apparently had a lot to say. A yapping puppy (no disrespect intended). Australian coach Andrew McDonald muttered about the “intimidation” of Konstas by the Indian team. One could suggest that a coach of some experience might have taken the young pup aside for a chat or, failing that, book him in for an interview with one of the myriad support staff that exists around the team. The one with “Team psychologist” emblazoned on his track suit top. Failing that, ring Ian Chappell.

Australian cricket may need another Warner but there are some aspects of the approach adopted by that Australian icon that could well be avoided.

It was a great Test series. We attended enthralling days at the Adelaide Oval and the Sydney Cricket Ground. Wonderful crowds. It would take an exceptional landscape artist to capture the colours of the Adelaide sky at sunset with the scoreboard and ground illuminated by the towering overhead lights or the vibrant colours of the supporters in Sydney, the blue of the Indian contingent and the McGrath pink contrasting with the white and beige outfits of the 248 Richies.

Given the success of the series and the re-enhancement of Test cricket as opposed to any other form, Cricket Australia, the SACA and the SCG Trust deserve to be congratulated.

However, two factors cannot be overlooked. CA erred mightily at the presentation ceremony in the poor treatment meted out to Sunil Gavaskar, whose name is on the trophy. Secondly, woeful first day preparation and planning by the SACA meant patrons spent an inordinate time queuing for food and drink. Despite this, CEO Charlie Hodgson waxed lyrical about the crowd, the spectacle, the absorbing cricket blah blah blah. Another example of the challenge of reality.

 

 

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About Peter Crossing

Peter Crossing loves the pure 'n natch'l blues. He is a member of the silver fox faction of the Adelaide Uni Greys. He is something of a cricket tragic although admitting to little interest in the IPL or Big Bash forms of the game.

Comments

  1. Mickey Randall says

    Lovely connections in this Peter and I found myself nodding throughout. The cover of Jackson Browne’s best album, Late for the Sky, is, of course, inspired by a René Magritte painting.

    Bumrah’s bowling is a tribute to surrealism. He may have already done this, but I’d love to read a longer piece by Gideon on his action.

    Thanks.

  2. Peter Crossing says

    Thanks Mickey.
    Late For The Sky with the fluffy clouds on the cover. For A Dancer is one of my favorites.
    A number of musos related to René. His big green apple in the Apple music logo (and Apple computers). The Art Gallery tour guide mentioned that Linda McCartney had purchased Magritte’s spectacles from his deceased estate as a gift for Paul and drew a connection with some of the Beatle’s more surreal lyrics. The guide also mentioned the cover of the Jeff Beck album Beck-Ola* (which I had forgotten).
    Gideon Haigh’s analysis of all things pertaining to cricket is mind-boggling. He gives a detailed description of every aspect of Shane Warne’s bowling action in On Warne.
    Not sure that René ever did anything with thongs.
    *This album contains the vocals of a somewhat youthful years-before-he-went-schmaltzy rockin’ Rod.

  3. Michael Sexton says

    Wonderful Peter.
    Surrealism, cricket and Paul Simon.
    This is what I come to the Almanac for!

  4. Malcolm Ashwood says

    Noughts couldn’t agree more re Konstas in every aspect and Charlie Hudson it was bizarre to not admit day 1 was a horrendous stuff up it was classic head buried in the sand

  5. Peter Crossing says

    Thanks Michael and Malcolm.
    Don’t get me started on the SACA young Malcolm.

  6. Bernard Whimpress says

    Bumrah the surrealist. Perfect, Peter. Because the inswinger is frequently the leg-cutter, the greatest of all deliveries. How does he rate against Sydney Barnes who we are told spun the ball at above medium pace, maybe fast-medium? And his off-cutter (leg-cutter) to the left-ganders wasn’t bad either. I’ve long been a big fan of Ussie but Bumrah’s dominance of him was as great as Stuart Broad’s over Warner in 2019. I never thought I’d see better bowling in a series than Richard Hadlee’s 33 wickets in 3 Tests but Bumrah’s display was another for the ages.

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