Almanac Reviews – The Substance: Hollywood meets dystopia

 

 

 

 

 

Occasionally I wander into a film having no expectations whatsoever and leave completely blown away. The Substance is certainly in this category.

 

The shorts and trailer don’t do it justice as this ‘spin out’ of a film takes you a ride you will find difficult to erase from your memory.

 

Demi Moore gives a gutsy performance as a veteran aerobics legend who has had a long standing show on network TV. She’s middle aged and despite a successful career and with a star on Hollywood Boulevard, her repulsive network boss played superbly by Dennis Quaid, wants her replaced with a newer, sexier version.

 

When Demi’s character Elizabeth Sparkle has a chance meeting with a doctor who believes he has the secret to eternal youth, she gets tempted and buys the package known as ‘The Substance’.

 

The fact that Elizabeth’s character takes such a risk without truly knowing the consequences plays to broad female insecurities around always wanting to look like models in magazines or on TV and not accepting their own beauty for what it is.

 

The outcome from taking ‘The Substance’ is dire and Elizabeth incredibly produces an adult younger version who isn’t actually her, but a flawless woman with enormous ambition and sinister intent.

 

Her name is Sue, played by Margaret Qualley, and whilst she has a responsibility to share her life with Elizabeth by engaging in ‘The Substance’s’ process, she greedily drains the life from Elizabeth and forges forward replacing her on TV and becomes a star in her own right.

 

From there, the last third of the film becomes a wild ride as Elizabeth fights to survive and Sue fends her off as it heads towards a blood curdling finale that makes Carrie look like Mary Poppins.

 

The film has been described as a satirical body horror film. It’s clearly a pointed reflection on both women’s body dysmorphia and men’s obsession with a woman’s perfect body and the misogyny that often accompanies that.

 

The film is interestingly written and directed by Frenchwoman Coralie Fargeat along with a French team and an entirely American cast.

 

The style of the film reminded me of Stanley Kubrick’s 2001 and A Clockwork Orange. That clean, sharp look permeates into Elizabeth’s apartment and the TV studio where most of the action takes place.

 

The visual effects are as gross as your worst nightmare but because of the genius of their construction, it’s impossible to look away.

 

The close up camera work is fantastic and this is where the film feels very French. Coralie’s influences from what I’ve read, are horror based -such as David Cronenberg – but I loved the attention to detail where almost every shot is a work of art.

 

This is a stark message (to women especially) just be yourself and don’t search for some magic solution to eternal beauty.

 

Chasing a superficial remedy to beauty as opposed to being your authentic self is filled with risks both physically and mentally.

 

In Elizabeth Sparkle’s case it ends in a dystopian nightmare, the likes of which the viewer hopefully will never see again.   8/10

 

By the way it is great to see so many seats being taken up once again at our beautiful Regent Theatre in Ballarat. The hand-made choc tops are sensational too!

 

Thankyou Palace Cinemas for saving the day and bringing us such a variety of films again!

 

Watch the trailer at the following link:https://youtu.be/LNlrGhBpYjc?si=qToI7japsOn_y6wU

 

 

 

 

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Our writers are independent contributors. The opinions expressed in their articles are their own. They are not the views, nor do they reflect the views, of Malarkey Publications.

 

 

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About Ian Wilson

Former army aircraft mechanic, sales manager, VFA footballer and coach. Now mental health worker and blogger. Lifelong St Kilda FC tragic and father to 2 x girls.

Comments

  1. Karl Dubravs says

    Thanks for the heads-up on what sounds like an interesting movie. Hopefully my local ‘Glenbrook’ cinema will pick it up. I might add that their salted caramel choc-tops are superb – much better than you get at bigger ‘commercial’ cinemas/theatres – so I know what you are talking about.

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