
As a 7” single it really should be 45 reasons why, but anyhow …
RIP Ollie Olsen.
Saturday mornings are gym mornings in our household.
Although these days I am usually that physically and mentally ‘cooked’ from another week spent in the white-collar professional rat-race, that it is all I can do to sit on the stationary bike and blast some psych rock through the headphones to clear the mind.
Visually, there is not much on offer.
The bikes are lined up facing the wall.
Two of the (close-captioned) tv screens are tuned to the Channel 7 and 9 weekend breakfast shows. (There goes my will to live …)
Another is tuned to an infomercial channel where the other guy from that old ‘Home Improvement’ sitcom is flogging some hardware that no one really needs, before he is replaced by a tv chef that is pulling an assortment of awful looking stuff out of an air-fryer. (What’s for dinner tonight? Brown.)
Thankfully the closest screen is tuned to the ABC news, so at least I can catch some headlines and overnight sports results.
But importantly, at 9am it flicks onto Rage. (Should it have been named: Rage – I’ll keep watching to see if the next song’s any better? It rarely was.)
Today I happen to glance up at the Rage screen at just the right time.
Up next: Classic like a version (Classic? Maybe go with fair to average instead.)
Then: Pearl Jam Special (Stop! Not the new stuff! Give me Even Flow.)
Later: Ollie Olsen Tribute (Shit, he must have died.)
A check of the phone reveals that the post-punk and electronic music innovator, Ollie Olsen, had died this week aged 66 after a long struggle with a rare neurological disease.
(That seems a particularly unpleasant way to go out.)
I only encountered the music of Ollie Olsen on one occasion, but it was meaningful and remains so.
It came via his 1989 collaboration with Michael Hutchence under the guise of Max Q.
I can’t say that I was a big fan of INXS either.
I liked a few of their early singles and a few songs from ‘Listen Like Thieves’.
The only purchase I had made was the ‘Kick’ album on cassette, which I chose over ‘Appetite for Destruction’ by Guns N’Roses and have regretted that choice ever since.
It was the lyrics of Max Q’s ‘Way of the World’ single that caught my attention.
You are born into this world
Looking down the barrel of a gun
And those who hold the gun
Want you to work fast and die young
And if you don’t work
If you don’t obey
They’ll make you live in fear till your dying day
Those who govern hold the gun to your head
With religions, corporations, proud of blood
They’ve shed
Whether it’s God or the bomb
It’s just the same
It’s only fear under another name
And the corporate snakes coming in to feed
On that pathetic fact known as human greed
Skin and bone being raked over those hot coals
This dump never seems to give time for human soul
And all those things that we have learnt
No time for questions, you’ll just get burnt
You’ll just get burnt
And those words crush you flat
Like your skull’s under a brick
And the fear’s so damned strong
That it makes you sick
And you can see right through those eyes
That make you fear, that make you lie
And you’re taught to hold high
Yet you wonder why
Dumb values forced upon you by the
Living lie
Written by: Ollie Olsen
Courtesy of: genius.com
So, what was going on at that time that made these lyrics so meaningful?
On a larger scale we had:
Cold War
Reagan
Bush Snr
Crumbling Soviet Union
Berlin Wall
Tiananmen Square
Tipper Gore and her Parents Music Resource Center
Fred Nile
Corporate excess
Crash of ‘87
The recession we had to have on the horizon …
Personally there was:
School (year 12 in 1989)
Small town life/boredom
Culture surrounding playing adult football and cricket
I can picture five churches in town
I also remember the visible poverty
Developing insight that most people were not living that rough by choice …
It is usually good when songs from another era can still resonate in the current day.
However, in this case it is sad.
Sad, in that nothing has changed since I finished high school.
If anything, it has got worse.
I can’t do much about the global issues.
But personally, I can step back and question what the fuck I am doing?
It’s all still fear under another name.
Thank you, Ollie Olsen.
More from Greg A can be read Here
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thanks Greg
I was a big INXS fan in that era – to the point where, at my recent 40 year school reunion, one of my classmates recalled: “all you (me) listened to in the dorms was bloody INXS!!”
I saw INXS live during the Listen Like Thieves tour at the Chandler Velodrome in Brisbane.
Max Q’s other hit – Sometimes
https://www.youtube.com/watch?v=Wh0TV2ArBS8
regards
Rabbit in the Vineyard
I should have known about Ollie but somehow he slipped under the radar for me. Thanks for making me aware of him Greg.
Cheers Russell.
I had never considered myself a big fan of INXS, but I am surprised at the number of their singles from the early-mid 80’s that I can still recall (and still like).
I do remember the excitement one night in late 1986 when their ‘Good Times’ collaboration with Jimmy Barnes was first played on our local AM radio station. They may have even played it twice!
I saw INXS at Memorial Drive in Adelaide in April 1991. They were bigger globally by then, but I don’t think they were a better band than they were n 1985.
They were supported by Ratcat (one good song).
I caught ‘Sometimes’ on Saturday morning as well, I had forgotten about that one.
Cheers Colin.
Just happy to do my bit!
Thanks for this, Greg.
As a big Aus music fan, I am embarrassed to say that I know very little about Ollie Olsen.
I loved that Max Q song. It is still a belter.
And “Appetite for destruction” being better than “Kick”? Please!!
RIP Ollie.
Cheers Smokie.
The whole ‘Appetite for Destruction’ vs ‘Kick’ decision and the aftermath almost warrants an entire piece itself. There were so many factors in play and so many potential outcomes to consider. Funnily enough, whether one album was better than the other wasn’t really a consideration!