Almanac Music: Decades of Excellence and Joy
Given the magnificent Regent Theatre in Ballarat is now closed, both The Hardest Line and Stop Making Sense films had to be purchased on DVD, and boy was it worth it.
The Hardest Line is a standard music documentary of Midnight Oil but with tons of previously unreleased footage which provide deeper insights into the critical phases of their forty year career.
If you’ve had the pleasure of seeing them live I’m sure the power of their performance is something you will never forget. Thankfully the film showed plenty of early 80’s footage as they were coming into the 10 to 1 album and still playing in those intimate pub venues.
My memories of such a show in 1981 can be read here
There is a brilliant book by the late Andrew McMillan called Strict Rules which documents the Blackfella/Whitefella tour of remote Aboriginal communities in 1986 with The Warumpi Band.
The Hardest Line has some fantastic footage to back up what he wrote about, that being ‘The Oils’ well out of their comfort zone.
Despite the difficulties and at times utter exasperation, the band returned to the city inspired by the experience and recorded Diesel and Dust, rated number one in The Best 101 Australian Albums book.
I was particularly taken by the footage of the 70s and Australia’s cultural position in that era. I still remember the WA Premier Sir Charles Court and the Qld Premier Sir Jo Bjelke Peterson in the late 70s discussing the building of a road directly from Perth to Brisbane, presumably through the middle of Uluru.
Why? Because WA and Qld had mining and the other states didn’t matter. The late 70s for me and many of my fellow youth in WA were lost and angry. Midnight Oil and other great post punk Australian bands like Radio Birdman and The Saints were just the tonic.
For The Oils to have made it to 2022 with the energy they require to perform is truly extraordinary.
Much of the focus does go to Peter Garrett but it’s impossible to ignore just how good the band has been. Jim Moginie, Martin Rotsie, Rob Hirst and the late Bones Hillman have been incredible.
I don’t think there’s ever been a band with such a strong social conscious prepared to stick their neck out and they have always been in search of continuous improvement, with no compromises.
This is a real treat for fans of Australian music and one to show the kids and grandkids what great pub rock was all about.
Here’s the trailer:
I never got to see Talking Heads’ Stop Making Sense upon its release in 1984. I had the soundtrack but missed the film until now with a new HD restoration.
Directed by the late Jonathan Demme (he of Silence of the Lambs, Philadelphia and many others), this live concert was filmed over four nights in LA and then edited down into a couple of hours.
Talking Heads were at the end of a 1983 tour of the US promoting their Speaking in Tongues album, their fifth.
The band raised the $1.2m to produce the film themselves but were still nervous as the concert film genre was relatively unheard of other than Martin Scorsese’s brilliant The Last Waltz.
They had nothing to be concerned with. This 4K restoration is incredible and as a concert it puts you right up on stage amongst the band.
Talking Heads were nine years into their career and were as tight as a drum. They had some support from Bernie Worell on keyboards, Alex Weir on guitars, Lynn Mabry and Ednah Holt on backing vocals. The result is sheer joy.
To the uninitiated Talking Heads music is a bit like James Brown funk sung by a skinny white New Yorker. David Byrne is an oddity and he thrives on the physical, driven by the amazing rhythms of the band.
Another superb David Byrne creation from the last few years has been his stage show American Utopia, directed by Spike Lee and now also on DVD. Here’s a review from the cinema showing.
The extra disc on the blue-ray version of Stop Making Sense provides a few extra track and a lovely interview with the band forty years on from the concerts. Here is the trailer:
Both these DVDs will get in your head very quickly, spark some fine memories of a simpler time and give you ear worms for a couple of days. You may be tempted to dance, perhaps a bit of white man overbite even? Both highly recommended. Play loud.
More from Ian Wilson can be read Here.
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About Ian Wilson
Former army aircraft mechanic, sales manager, VFA footballer and coach. Now mental health worker and blogger. Lifelong St Kilda FC tragic and father to 2 x girls.
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There can be no bad Midnight Oil docos when they have all that brilliant early-mid 80’s concert footage to draw upon. This one looks to be a ripper. Loved the quote about not going towards the bright shining lights but going in the other direction.
I am a fan of Talking Heads as well. I found Chris Frantz’s book ‘Remain in Love’ an interesting tale of the band and their relationships, even if he did go a bit too hard at David Byrne at times..
A great read, Ian.
Love the Oils – saw the doco in leafy Norwood here in Sth Australia. Agree re: 10,9,8,7,6,5,4,3,2,1
Only the Strong is my favourite Oils anthem – great the doco gave that era much attention.
Thanks heaps gents. I’ll follow that book up greg thanks. Agree with you Russell about Only the Strong. It featured brilliantly on the doco. Much appreciated
Thanks for this reminder of the magnificence of Midnight Oil & Talking Heads.
I was fortunate to see/hear/experience Midnight Oil at Canberra’s Convention Centre on 13 March 2009 when they did 2 ‘warm up’ concerts prior to the Sound Relief in Melbourne concert to support victims of Victoria’s (then) recent bushfires. It was the fist time I was in an Oils concert audience – and I was blown away – certainly one of my most treasured live concert experiences.
Talking Heads are a favourite band of mine. I have taken a particular interest in Jerry Harrison’s post TH music career. His solo albums & production work with singers/bands such as Violent Femmes, Live, Crash Test Dummies, The Verve Pipe, Kenny Wayne Sheppard, Big Head Todd, No Doubt, The Rides is worthy of a thoughtful article on this site – I have it ‘penciled in’ on my ‘to do’ list – maybe in 2025!
I saw Midnight Oil ar the Capitol Theatre in late 1982. I was 16 and there was no fuss about serving me a drink at the nearby pub. Longtime Oils fans reckon that was the peak.
Saw them at Sydney Trade Union Club in 1986. Rob had a fantastically coloured old drum kit.
Evidently, there was a lot of stuff that didn’t make it into ‘Strict Rules.’ I heard allusions but, when pressed for details, the informants would clam up.
Rock and roll bands can be very clannish. That includes the road crew.
As mentioned elsewhere, Ian, I greatly enjoyed the Oils doco.
It was part time-capsule, part revisit of my youth.
As for the Talking Heads – David Byrne is a genius, but like many of that ilk, he seems to be as prickly as they come. Allegedly.
Thanks Karl, Earl and Smokie. I’m glad it provoked some nice memories cheers